Paul Simon

As a twofold act, Sting and Simon merge their massive bands and they are showed with a battalion of performers on the stage. Approx each musician is a multi-performer, with three kits of drum at the complete and room for a percussionist. Starting with Brand New Day, the double traded vocal series. Still, sting has the bass he purchased when he was in the Police, as well as Simon keeps ever fluid on the guitar acoustic. Boy in the Bubble bring the room to life, and the firstly muddy sound mix was accurate. Gold’s Fields was next as Simon, and lots of their band, left the phase to let the Englishman a possibility to ramp up the power with Police hits So Lonely as well as Driven to Tears.

Echoes and Reggae of ska-lite moved down as Simon came back for Walking of Sting on the Moon and their own Child and Mother Reunion. After that Sting goes off the stage, and Simon overcome with a trifecta from their 70s solo zenith: Still Crazy After All These Years, 50 Ways to Leave Your Lover, and Me and Julio Down by the Schoolyard. The big success punch was the track title from their Graceland, 1986 album.

In the hands of Sting and Simon Fragile was an obsession of sonic attractiveness. With a band of stripped-back and the acoustic guitar, Sting performed what could have been the most amazing part of the night, a basics reading of America of Simon.

As the tune washed away, Sting exchanged to bass and flipped the disposition with a killer account of Message in the Bottle. Both of the artists desired to showcase their perfect hits, and the confirmation dragged somewhat when they performed lesser-known substance. Still, the playing was unrivaled, mainly with David Sancious on the piano and the unbelievable South Australian Jo Lawry on the backing vocals.